(sorry, I ran out of inspiration for titles right around the same time I ran out of inspiration to finish this series of posts...which, I realize, has been holding up the rest of my posts...which, on the other hand, would mostly have echoed Mrs. Dave's over the past month since we've been pretty much flying in the same circles...end parentheses!)
After getting back so early from the Boston show the night before, I thought I was in pretty good shape for the last night of the big run - a quick (?!) jaunt to New York and back, on a Sunday night, with work the next morning. Oy.
To avoid having to drive into Times Square in late afternoon, the wife had the brilliant idea of stopping short in Stamford, CT, and taking the train in. Turns out that Grand Central is a mere four blocks or so from Times Square, and it's a straight shot. Groovy.
The drive down was uneventful though a bit fast (I left a half-hour later than I was expecting) and a bit nervous at the end as I wasn't sure if I'd run out of gas before I got there. Now, a minor digression, in the name of your fiscal safety should you decide to choose poorly as far as which parking garage you choose. There are two parking garages. Use the one closer to the station. Upon parking in the first one I came to, I was walking out when I saw a sign saying that the garage closed at midnight. Considering the SHOW wouldn't be ending until after then, I got a little panicked. However, a security guard told me I could go into the building next door (a business center) and get the guard on duty to open the door for me when I came back. He somehow neglected to tell me that it would cost me THIRTY-FIVE DOLLARS for approximately seven hours of parking. Blissfully unaware at the moment, I sauntered into the station, got my ticket, and was off to New York.
Rolled into Grand Central an hour later, managed to walk the four blocks to Times Square without cudgeling anyone with my mic stand, and found the with little to no difficulty. No hassles at the door, though it's the first venue where I've ever taken an escalator DOWN to see the show. As it turns out, the place is below the MTV building, and is a converted movie theater. They actually left some movie seats up top in the back, and I guess the view is good from up there, but who wants to be that far back when you can have your own taping section dead center in the sweet spot?! Seriously, this might be quite possibly the best-set-up venue ever for taping. You walk in on the middle level, and you can go down three steps to the lower level that runs up to the stage. At the front of the middle level is a railing where people can stand and overlook the lower level, and they had an area literally taped off on the floor for us tapers to set up. No obstructions, no running slightly left or right of center to avoid blocking the view of the soundman - nope, we had four stands dead fucking center, in a perfect triangle with the speaker stacks on either side of the stage. Best. Layout. Ever. And four stands! Admittedly, it's a bit short for a New York show but throw in three or four patchers and it's a pretty good showing. Me, Scott, Alan and Freddie ran stands, I had one patcher, Rick patched from Freddie, and Freddie ran another deck for our buddy Redbone. Good times all around.
Carbon Leaf opened the night; it was my third time seeing them and probably the mellowest set of theirs I'd seen. They played a festival with Guster in Pittsburgh in '03 (oy, now that was a drive), I went to see them on a frigid night at Harper's Ferry in early '04 (great show but my rig died and the tape is incomplete, but a long, good show) and now this set. A mere 46 minutes long...I really should see them the next time they come to Boston as they put on a good show. Check out the recording if you're so inclined.
BT always comes out firing for a hometown show and this was no exception. It was a little surprising not to hear them lead off with their typical hometown song (Dropping Some NYC, which they never even played in the set), but Freedom gave the set an appropriately older-school vibe. When the second tune came up as Slow Change, the tone was set. Slow Change segued into Eventually, and then a high-energy Pattern, and the crowd was boiling. Unfortunately, then they went all stunty on us and pulled out quite possibly the biggest show-stopper ever (and I don't mean that in a good way).
As part of their promotional junket (not really a junket, but how often do you get to write junket anyway? and does anyone else remember Junket pudding? does anyone remember where I was? oh yeah...promotional junket). As part of their promotional junket, the band stopped by Howard Stern earlier in September. John has been friendly with Howard for quite some time - he's been appearing on the show at least since 1996, possibly earlier. This time the entire band stopped by, but before they did, they had apparently caught wind of Staind doing a cover of a song known as the "Beetlejuice Song". For those of you unfamiliar with the tune, first of all, consider yourselves fortunate. It was written by a member of Howard's passel of studio regulars, who goes by the name Beetlejuice because of his smaller-than-normal head (you may remember the final scene of the Michael Keaton vehicle, where the title character's head is sprinkled with some magic dust that - you guessed it - causes his head to shrink).
At any rate, due entirely to his studio time with Howard, Beetlejuice has written some "songs" and gotten them played on the air on Howard's show, after which Staind came on and covered the tune in their own inimitable (well, maybe it's quite imitable, but whatever) fashion. Enter BT, who did the same thing a few weeks later. Well, ever since then, there were numerous meatheads at every show in the northeast clamoring for the band to play the tune live. But because Howard records the show in New York, the band decided to save this lyrical gem for the New York crowd. Their hometown crowd. And immediately turn the show into a farce.
They segued into their single, and then into the one other song they'd written that sounds like their single, and by the time they got around to playing Support Your Local Emperor, the buzz was completely and thoroughly killed. Things picked back up at the end of the set with a lengthy Go Outside & Drive segue, ending in an ear-lashing NY Prophesie, and when they began the encore with Sweet Talking Hippie, I thought we might be in for a great ending...but they still have yet to properly finish the song like they used to, instead segueing into the lightweight Thinnest Of Air to send their fans off. A letdown overall to be sure.
Thankfully, the best two parts of the evening still awaited me - Scott and I walked back to Grand Central together, where he introduced me to the gastronomic joy that is the knish vendor outside the station - we each partook of two (with mustard, of course) and discussed life, the universe, and everything while I awaited my train's platform announcement. Then, while boarding my train, I saw a guy I recognized from the show who had come up to introduce himself between Carbon Leaf and BT, so I sat with him and his friend on the way back to Stamford as they recounted their days of seeing the band at the Wetlands, all over New York City, and show after show in southern Connecticut. They said they'd gone to the trouble of bringing a cassette deck to several shows back in the day, and I'm not talking about a portable one, but an actual home stereo component. Turns out we'd been to many of the same shows in the mid to late 90's, funny how small the circle can be when you're talking about the most dedicated of the band's fans. We swapped stories and joked about their buddy Dennis, whom they'd lost at the show and who hadn't turned up at the train station with them...they played rock-paper-scissors to see who'd get the unenviable task of calling his wife to say he'd missed the train. High comedy at well past midnight.
I finally stumbled out of the Stamford train station around 1:15 and made my way to the business center parking garage. The guard on duty informed me of the exorbitant sum her parking garage would be bending me over for, and oh, they didn't take credit cards. Or payments from mortgaged property, apparently. One begrudging trip to the ATM later, I was back in my car and she was rolling up the garage door to let my newly-impoverished ass out. I slouched back home close to 4am, dragged myself out of bed by 8:30, and squinted my way through the rest of the day, realizing my great road trip had come to a close.
